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Nous sommes désolés, le contenu de certaines pages n’est pas encore traduit en français.
Il le sera bientôt.
Terrasse du café le soir est l'un des tableaux les plus célèbres au monde, peint par Vincent Van Gogh dans la ville de Arles. Admirez les couleurs chaudes du café terrasse et la profondeur de la perspective sous un ciel étoilé magique et romantique, mystérieux comme seul Van Gogh savait les rendre! Admirez tout cela au mur de votre salon! Trademark vous offre une copie absolument fidèle de cette œuvre, une copie réalisée avec la plus grande attention aux moindres détails en collaboration avec la Bibliothèque d'Art Bridgeman.
Cette toile sans cadre résulte d'une technique appelée « toile galerie », où la toile de l'artiste est étirée de sorte à recouvrir et contourner le cadre de bois jusqu'à l'arrière du tableau.
Chaque toile est accompagnée d'un certificat d'authenticité de La Bibliothèque d'Art Bridgeman, garantissant que cette reproduction a été exécutée sous licence, en se conformant aux plus hautes normes de qualité.
• Matériaux : bois/canevas
• Fabriqué aux États-Unis
Comprend :
• Art sur toile Trademark - « Terrasse du café le soir » de Vincent van Gogh
Livraison :
Veuillez utiliser une adresse municipale, et non un numéro de case postale
Garantie :
Cet article est couvert par une garantie de 30 jours
About Museum Quality Reproductions
Giclées are Museum quality Fine-Art reproductions, also called Archival Prints. These are the result of highly advanced digital printing technology.
A Fine-art Giclée is the closest to an original painting you can get. These artworks are made with an ultra-high-resolution fine-art printer, using seven cartridges of the very finest archival inks on acid free paper. Independent testing by Wilhelm Imaging Research Inc. (a world-leader in image-longevity testing) has established that these "Archival-Prints" or Giclées will last more than 200 years before any noticeable shift in color integrity occurs. Unlike regular printed reproductions, Giclées are truly durable "Museum quality" Fine-Art reproductions.
The color and artistic value, quality of materials, and overall looks make a Fine-art Giclée much more valuable and much more expensive to produce than any other type of reproduction. Its Market value increases even more, if it is of a limited edition of 100 pieces or less, and if it has been pencil signed and numbered by the Artist. Giclées are usually accompanied by an Authenticity Certificate" indicating title of the original, and size of the limited edition.
A Fine-art Giclée is created by tiny jets spraying millions of droplets of archival, pigmented inks onto a sheet of fine art, acid free paper or onto cotton canvas. This spray of ink, more that 4 million droplets per second, whirls onto paper spinning on a drum at 250 inches per second. Hence the name giclée is French for "fine spray."
Precise computer calculations control seven ink jets that together produce 512 shades of dense, special quality ink. The information controlling the jets comes directly from a computer - no printing film or plates are involved. The computer's information is scanned directly from the artist's original work or a digital image of it. An art print emerges, of a superior quality than a serigraph or lithograph. A true Museum-quality Fine-Art reproduction.
About Vincent Willem van Gogh
Vincent Willem van Gogh was a Dutch post-Impressionist painter whose work, notable for its rough beauty, emotional honesty and bold color, had a far-reaching influence on 20th-century art. After years of painful anxiety and frequent bouts of mental illness, he died at the age of 37 from a gunshot wound, generally accepted to be self-inflicted (although no gun was ever found). His work was then known to only a handful of people and appreciated by fewer still.
Van Gogh spent his early adulthood working for a firm of art dealers, traveling between The Hague, London and Paris, after which he taught for a time in England. One of his early aspirations was to become a pastor and from 1879 he worked as a missionary in a mining region in Belgium where he began to sketch people from the local community. In 1885, he painted his first major work The Potato Eaters. His palette at the time consisted mainly of somber earth tones and showed no sign of the vivid coloration that distinguished his later work. In March 1886, he moved to Paris and discovered the French Impressionists. Later, he moved to the south of France and was impacted by the strong sunlight he found there. His work grew brighter in color, and he developed the unique and highly recognizable style that became fully realized during his stay in Arles in 1888.