Trademark Art 'The Seine at Pont d'lena' by Paul Gauguin

About Museum Quality Reproductions

Giclées are Museum quality Fine-Art reproductions, also called Archival Prints. These are the result of highly advanced digital printing technology.

A Fine-art Giclée is the closest to an original painting you can get. These artworks are made with an ultra-high-resolution fine-art printer, using seven cartridges of the very finest archival inks on acid free paper. Independent testing by Wilhelm Imaging Research Inc. (a world-leader in image-longevity testing) has established that these "Archival-Prints" or Giclées will last more than 200 years before any noticeable shift in color integrity occurs. Unlike regular printed reproductions, Giclées are truly durable "Museum quality" Fine-Art reproductions.

The color and artistic value, quality of materials, and overall looks make a Fine-art Giclée much more valuable and much more expensive to produce than any other type of reproduction. Its Market value increases even more, if it is of a limited edition of 100 pieces or less, and if it has been pencil signed and numbered by the Artist. Giclées are usually accompanied by an Authenticity Certificate" indicating title of the original, and size of the limited edition.

A Fine-art Giclée is created by tiny jets spraying millions of droplets of archival, pigmented inks onto a sheet of fine art, acid free paper or onto cotton canvas. This spray of ink, more that 4 million droplets per second, whirls onto paper spinning on a drum at 250 inches per second. Hence the name giclée is French for "fine spray."

Precise computer calculations control seven ink jets that together produce 512 shades of dense, special quality ink. The information controlling the jets comes directly from a computer - no printing film or plates are involved. The computer's information is scanned directly from the artist's original work or a digital image of it. An art print emerges, of a superior quality than a serigraph or lithograph. A true Museum-quality Fine-Art reproduction.

About Paul Gauguin

Eugène Henri Paul Gauguin was a leading French Post-Impressionist artist who was not well appreciated until after his death. Gauguin was later recognized for his experimental use of colors and synthetist style that were distinguishably different from Impressionism. His work was influential to the French avant-garde and many modern artists, such as Pablo Picasso, and Henri Matisse. Gauguin's art became popular after his death and many of his paintings were in the possession of Russian collector Sergei Shchukin.  He was an important figure in the Symbolist movement as a painter, sculptor, print-maker, ceramist, and writer. His bold experimentation with coloring led directly to the synthetist style of modern art, while his expression of the inherent meaning of the subjects in his paintings, under the influence of the cloisonnist style, paved the way to Primitivism and the return to the pastoral. He was also an influential proponent of wood engraving and woodcuts as art forms.

Gauguin was born in Paris, France, to journalist Clovis Gauguin and Alina Maria Chazal, daughter of the proto-socialist leader Flora Tristan, a feminist precursor whose father was part of an influential Peruvian family. In 1850 the family left Paris for that country, motivated by the political climate of the period. Clovis died on the voyage, leaving eighteen-month-old Paul, his mother, and sister, to fend for themselves. They lived for four years in Lima with Paul's uncle and his family. The imagery of Peru would later influence Gauguin in his art. It was in Lima that Gauguin encountered his first art. His mother admired Pre-Columbian pottery, collecting Inca pots that some colonists dismissed as barbaric. One of Gauguin's few early memories of his mother was of her wearing the traditional costume of Lima, one eye peeping from behind her manteau, the mysterious one-eye veil that all women in Lima went out in. "Gauguin was always drawn to women with a 'traditional' look. This must have been the first of the colourful female costumes that were to haunt his imagination."